Dear Anastasia:
Thanks for your kind response. What a wonderful thing to
speak of, not just incidentally: “light and love.”
This is merely a comment en passant, collegial,
but no less Platonically** (more at: bonhomie, I know
your French is better than you let on, though you and
I find “bonhomie in our OED” [attributed to Brindle])
**good spirited -- one has some ...what? some connection
cerebrally and surreally, often this is the case, though
not much discussed, with one's main female lead -- after
a certain amount of writing her fiction.
I am in reference to a fictional character who -IS- named
Sonya, you understand, but she has “looked at” me much
the way – a very unusual way, I saw your countenance
speaking -- in some of the photographs/images. But, soft!,
consider a theme of Antonin Artaud. Is it not?
-- The Theatre and It's Double --
So, just wish to share that I took a different route to
the "office" this a.m., and walked down a frontage lane
of the estate district near the University of Memphis.
Raking my hand like a NYC filmmaker through my hair in
order, apparently, to massage and coax Thinking and feel
this…Thinking, I guess, maybe. I thought about my project,
I thought about the project. The project that -m u s t-
go forward. It is just too good not too, frankly -- and
I say it is about time too, that some group of collabor-
ationists overthrew the tyranny of Ho Hum Hollywood.
I'll be working on getting you the 30 pages you have
coming. It will help me add some extra light and love
for humanity to know you will read it. For, of course,
humanity is my theme.
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--Phaedrus--
From Lysias, Socrates, the son of Cephalus; and I am
going for a walk outside the wall. For I spent a long time
there with Lysias, sitting since early morning; and on the
advice of your friend and mine, Acumenus, I am taking my
walk on the roads; for he says they...
--[126a] Cephalus--
When we came from our home at Clazomenae to Athens,
we met Adeimantus and Glaucon in the market-place.
Adeimantus took me by the hand and said, “Welcome,
Cephalus if there is anything we can do for you here,
let us know.”
C. Wallace D. Brindle
Espérance Studio Productions
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On Artaud and by Derrida (lurking about at same
site somewhere, rather raw and something darker
than dark… yet… we acknowledge the material, it
is not Animal House we are making, after all), -- I
do The Sharing, The Telling, the Opening Out to
other Special Capables, on that which is “hair raking:”
Excerpts from Jacques Derrida, "Forcener le subjectile".
Antonin Artaud: Dessins et portraits, Ed. Paule Thevenin.
Paris: Gallimard 1986, 55-108
…a poem of Artaud’s, perhaps the greatest theatrical
arts theorist in history, (comfortable next to The Poetics)
– do you agree? :::
www.hydra.umn.edu/artaud/gobbets.html
|||||||||||||||||||||||||||||| curtains, writer/director exeunt… /29/01/04/
[reprinted by permission of the auteur]
Stoic Mouth Guy in Thin Tie... Submitted for your consideration...one, C. Wallace D. Brindle on a mission of gastronomic survival; to live, to learn, eat, drink, perhaps... perhaps even to be merry... but what Dr. Brindle doesn't yet know is that this is a strange plate indeed; a plate soon to be served up in:" The Borges at 9:05 Zone.